Thursday, October 4, 2007

One Day in Paris

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We arrived in Paris today at noon, dropped our bags at the hotel, and set off to explore. As we only have one day, we’ve decided to spend our time walking around versus spending the whole time at the Louve. We headed first to Notre Dame, crossing over the Seine on our way. The cathedral is gorgeous, and we hope to come back in a couple years so that we can explore the inside.
















Next, the Louve. We would really like to spend a few days just exploring the galleries of the Louve, but today we must be satisfied with just viewing the exterior. Spanning a couple of blocks in a “U” shape, the Louve is huge. There are two courtyards, and in the second is the glass pyrmid.











As you walk up through the courtyard, pass the pyrmid, there is a large arch, water fountains, and a park beyond.















We walked from here up the Champs Elysess to the
Arch of Triumph and then cut back to the river toward the Eiffel Tower. It was very cool to catch a glimpse of the tower every now and then as we walked.





We made the trip up for the view...incredible! All the way up the Parc du Champs de Mars to Ecole Militaire.




Wednesday, October 3, 2007

My Italy Diary: Florence, Part 5

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Our last day in Italy was spent visiting Palazzo Vecchio, which is still used as the town hall and Palazzo Pitti, which we didn’t get enough time in when we visited early in the week with Donna and Mary. There is a replic a Michaelangelo’s “David” in front of the Palazzo Vecchio. The original is now inside the Galleria dell’ Accademia.

The grand salone is lined on both sides with statues of the “Deed of Hercules” by De Rossi—striking in their homoerotism.



















The Geographical Map room, “Mappa Mundi”.














Ciao!









Tuesday, October 2, 2007

My Italy Diary: Florence, Part 4

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Yesterday, Mr. Man and I met Donna and Mary at our usual spot for coffee and then headed for Mercato Nuovo, the local straw market. Donna was looking for a leather jacket, and we are looking for one for Manda, so we wanted to find a market a friend told them about near Stazione Centrale, but after walking around a bit “hunting” for it we gave up. Luckily we passed a leather store on our way back and decided to stop in. The salesperson, Liz, is from the U.S., and she made it such a pleasant experience, as did her boss Tommy. We actually wound up buying five coats; one for each of us, plus one for Manda.

We are back on our own today—Mr. Man and I managed to go to Santa Croce this morning; both Galieo’s and Michelangelo’s tombs are here. The altar was being restored so we were unable to view the crucifix, but we did go into the museum where there are many wonderfully restored pieces. We managed to spend about two hours in all at this wonderful Church (c. 1294).






















Next we headed for the Bargello, which we had missed earlier in the week, but unfortunately it closes at 1:00pm. So we headed for San Lorenzo with its unfinished facade—it was designed for the Medici family by Brunelleschi in 1425-26. We were unable to take photographs inside and for some reason they close the cloister with Michelangelo’s staircase at 1:00pm, but we were able to see Donatello’s beautiful bronze pulpits. There is also a beautiful modern painting by Pietro Annigoni, St. Joseph and the Christ Child. This is one of the few mordern works seen in Florence. We had to pay separately to access the Cappella dei Principi, The Medici Mausoleum. It is massive with extravagant marble walls in burgundy and green. The funerary figures, again under restoration, are by Michelangelo and are considered among his greatest works.





















We had reservations for the Galleria dell’ Accademia at 4:00pm, and were both feeling fatigued, so we skipped Palazzo Medici Riccardi (a must for tomorrow) and San Marco and opted to go straight to the museum, settling down close by for a glass of wine for an hour until our appointed entry time. Other than Michelangelo’s David, which is, of course, magnifisant, the Accademia didn’t hold much interest for us. It is small and only has paintings of religious motifs from the Byzantine era. There are several unfinished sculptures, the subjects of which seem to be struggling to free themselves from the marble.

Sunday, September 30, 2007

My Italy Diary: Florence, Part 3

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This weekend is Europe Arts Appreciation and all the museums are open free to the public; we toured both the Boboli Gardens and Palazzo Piti free yesterday. We met up with Donna and Mary this morning for coffee and then headed for the Uffizi to see about reservations for later in the day. The line were very long and there was an equally long line to get into Palazzo Vecchio, so we headed for the Duomo, Baptistery and Campanile.

Climbing 400 plus stairs to the top of the Campanile is not for the faint of heart, especially as there is no organization around ascending and descending, so there are people heading up and down at the same time. The winding staircase is very narrow, so narrow at the top that you have to hug the wall in order for anyone else to squeeze by. But you are rewarded at the top with a panaramic view of Florence. The facade is beautiful white, green and pink marble and together with the Baptistry and Duomo make up a stunning piazza.


















While we waited in line to get into the Duomo, Mr. Man and Donna went off in search of a pannini for each of us. The line moved so fast that Mary and I had to get out of line twice. We ate the sandwiches on the side steps and were harassed by a gypsy begging for money and rubbing her amply fed stomach. We finally had to move in order to get away from her. As it is Sunday, we were only allowed to enter the main aisle of the Duomo, but were immediately struck by its vastness and by its lack of interior decoration when compared to its exterior beauty and extravangance. Unfortunately, we were unable to see more than glimpses of the frescoes within the dome as we couldn’t really get close enough. Perhaps we’ll revisit this beautiful undertaking again before we leave.

The most famous thing about the Baptistry is, of course, its bronze doors. But, inside awaits beautiful mosaics in the dome. The original bronze doors are no longer in place, but the replicas are beautifully rendered. The giant figure of Christ in the dome is wonderfully colored against the gold background, and there is a great depliction of Hell which is so beautiful you almost forget its horrible content.


















San Lorenzo market was next on our list, but it wasn’t much more than a tourist trap filled with booths of largely non-Italians selling seemingly poor quality goods. We continued on to find Mercato Centrale, which unfortunately was closed. So we opted for a glass of wine. We stopped at an outdoor restaurant called Antica Taberna del Botticelli and had the worst experience of our entire trip (worse than our surly waiter and horrible food at Casa Blanca in Viareggio)! We ordered a liter of white wine and some water, and once the waitress discovered we didn’t intend to eat, she took up our paper placemats. The place was by no means busy; there were perhaps four other tables being occupied.

The owner, a very fat, sweaty gentleman (and I use the term very loosely) with a jowly face and bulbous lips was strutting around in a white shirt unbottoned to almost his navel with a large, brash gold chain around his neck, shouting orders. As soon as he saw we didn’t have placemats he had another waitress bring us our check. She then stood a little to the side making it very clear that she wanted us to pay. When we looked at the check and saw it was €30,00 we asked to see the menu as we certainly didn’t remember a liter of vino de casa being that expensive. Well, we must have offended our fat proprietor for he came stomping over barking at us about restaurant and cafeteria, yelling and sticking his finger in Donna’s face—he was practically foaming at the mouth. At one point during this exchange, I picked up my wine glass to take a drink and he began shouting at me; while I couldn’t understand what he was saying, it was clear he didn’t want me to drink it. He then tried to snatch the money from Donna. A totally horrible experience. We finally decided to just pay, finish our wine, and move on, vowing to post warnings to others on the Internet—I will also leave a note in the book here at the apartment for others who follow us.

It was a little hard to leave this experience behind us and recover our joy of being in Florence, but we tried. We retraced our steps to Piazza della Signoria and joined in the line for the last entrance into the Uffizi; with only an hour left for viewing we headed straight to the highlights—The Birth of Venus by Botticelli, along with his other works housed there; the Leonardo room; Michaelangelo’s The Holy Family and The Venus of Urbino by Titan. We didn’t make it passed the second collection (the Leonardo room) before announcements of closing began.

Both Mary and I had read a New York Times review of
Teatro del Sala and we all decided we would have dinner there tonight. We decided to go directly there, eat dinner, and make an early night of it. It’s located along Via de’ Macci between Santa Croce and Piazza Lorenzo Ghiberti. It was closed so we backtracked to a small restaurant we had seen on our way called Osteria de' Macci. This restaurant and its proprietor Alessandro were the highlight of our day and the best meal by far Mr. Man and I have yet to have in Florence. It has only been open for a month and so we pretty much had the place to ourselves. It is very quaint and nicely appointed with white table clothes—a romantic atmosphere.

We were shown to a table with a view through a pass-through of the kitchen, where you can watch Alessandro and his assistant cook. Upon being seated, we were brought a delicious glass of Proseco and had a great discussion with Alessandro about the restaurant and Florence. Then he brought us the most wonderf
ul bruschetta with tomatoes and delicate flavors of garlic and vinegar. Mary and I each had the soup of mashed white beans and clams, which was incredible. Pureed to a smooth consistency, this soup was neither too thick nor too thin. The flavor of the white beans together with olive oil and spices melded together perfectly. There was also a good amount of clams, served still in their shells (Il Passatino di Fagioli con le Vongole Veraci). Donna had La Vera Ribollita con l’olio dell’ Osteria; a tomato and bread soup that was also delicious. The olive oil is made in house and Alessandro made a gift to us of a bottle.

Mr. Man and I shared both a primi and secondi piatti of risotto (Il Risotto Mantecato alle Punte di Asparagi) with asparagus sauce—the lightest risotto I’ve ever eaten with a delicate flavor of asparagus; devine. This was followed by La Vera Bistecca Fiorentian (Tuscan steak) served with oven baked potatoes. This is a huge T-bone, cooked rare with a seasoning of salt and pepper that melts in your mouth. Both of these were accompanied by bottles of Pian delle Vigne Brunello di Montalcino, which we enjoyed so much that Alessandro soaked off the label for me. We all had dessert and then Alessandro made us limoncello, which was so good we had two more rounds. We continued to speak with Alessandro throughout the meal, which added to the overall experience and made us feel extremely lucky to have come across this jewell of a restaurant.